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Wartime Notebooks
by Marguerite Duras
Marguerite Duras was one of the leading intellectuals and novelists of post-war France. This work, retrieved from the papers she left at her death, consists of four notebooks written between 1943 and 1949 followed by ten previously unpublished short stories and autobiographical texts. She writes vividly about her childhood and teenage years in Indochina, stuck between a mother whom she loves and admires despite her shortcomings and her two brothers - one of whom was paranoid and violent. What emerges from these books is a fascinating portrayal of how Duras' life and work entertwine. Leo, the hero of her novel The Lover, is laid bare here as an uninteresting, weak man, despised by her family because he is a native. Physically he repulses her, but she and her family need his wealth. Duras becomes both whore and saviour to her family. The passages of what would later become the published manuscript of La Douleur are equally compelling. Undeniably tough to write, Duras movingly conveys her expectations and the long wait for her husband's return from concentration camps. She chronicles every little hope and disappointment she lives through. |
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The Second Plane
by Martin Amis
Martin Amis first wrote about September 11 a week later in a piece for "The Guardian" beginning, 'It was the advent of the second plane, sharking in low over the Statue of Liberty: that was the defining moment.' And he has kept returning to September 11, in essays and reviews, and in two remarkable short stories, 'In the Place of the End' and 'The Last Days of Muhammad Atta'. All are collected here, together with an expanded account of his travels with Tony Blair in 2007 - to Belfast, to Washington, and to Baghdad and Basra. 'We are arriving at an axiom in long-term thinking about international terrorism,' he writes: 'the real danger lies, not in what it inflicts, but in what it provokes. Thus by far the gravest consequence of September 11, to date, is Iraq ...Meanwhile, September 11 continues, it goes on, with all its mystery, its instability, and its terrible dynamism.' |
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The Seventh Well
by Fred Wander
The Seventh Well is a short autobiographical novel, whose loose, episodic chapters cover the period of 1942-5, which the author spent in German concentration camps. Flashbacks recall his early internment in France, and the book closes with the liberation of Buchenwald in April 1945. Rather than focus on his own story though, Fred Wander describes the lives and deaths of his fellow internees; the creative power of his story-telling invests their deaths with dignity, and keeps their memories alive. It was first published in 1971, then reissued with a new afterword to great acclaim in Germany in 2005, the year before the author died aged ninety. This new translation by acclaimed translator and poet Michael Hofmann captures the power and physicality of his language. |
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The Emergence of Memory: Conversations with W.G. Sebald
by Lynne Sharon Schwartz
When German author W.G. Sebald died in a car accident at the age of fifty-seven, the literary world mourned the loss of a writer whose oeuvre it was just beginning to appreciate. Through pieces culled from essays, interviews, and reviews, award-winning translator and author Lynn Sharon Schwartz offers a profound portrait of the late Sebald, who has been praised posthumously for his unflinching explorations of historical cruelty, memory, and dislocation in post-Nazi Europe. With contributions from poet, essayist, and translator Charles Simic, New Republic editor Ruth Franklin, Bookworm radio host Michael Silverblatt, and more, The Emergence of Memory offers Sebald's own voice in interviews between 1997 up to a month before his death in 2001. Also included are cogent accounts of almost all of Sebald's books, thematically linked to events in the contributors' own lives. |
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A Portrait of the Brain
by Adam Zeman
In this compelling book, neurologist Adam Zeman tells the stories of patients with a variety of neurological disorders, some familiar (epilepsy, chronic fatigue, stroke, memory loss) and others relatively mysterious (narcolepsy, chronic déjà vu, compulsive fidgeting, Creutzfeldt-Jakob disease). Chapter by chapter, the author reveals the various levels of the brain, from the atom to the mind, and explores what happens when workings at each level go awry. Zeman requires of his readers no special knowledge of medicine or science, yet he takes us to the very frontiers of current scientific knowledge and elucidates the workings of the brain in astonishing detail. |
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Artists in Exile
by Joseph Horowitz
During the first half of the twentieth century—decades of war and revolution in Europe—an "intellectual migration" relocated thousands of artists and thinkers to the United States, including some of Europe's supreme performing artists, filmmakers, playwrights, and choreographers. For them, America proved to be both a strange and opportune destination. A "foreign homeland" (Thomas Mann), it would frustrate and confuse, yet afford a clarity of understanding unencumbered by native habit and bias. However inadvertently, the condition of cultural exile would promote acute inquiries into the American experience. What impact did these famous newcomers have on American culture, and how did America affect them? George Balanchine, in collaboration with Stravinsky, famously created an Americanized version of Russian classical ballet. Kurt Weill, schooled in Berlin jazz, composed a Broadway opera. Rouben Mamoulian's revolutionary Broadway productions of Porgy and Bess and Oklahoma! drew upon Russian "total theater." An army of German filmmakers—among them F. W. Murnau, Fritz Lang, Ernst Lubitsch, and Billy Wilder—made Hollywood more edgy and cosmopolitan. Greta Garbo and Marlene Dietrich redefined film sexuality. Erich Korngold upholstered the sound of the movies. Rudolf Serkin inspirationally inculcated dour Germanic canons of musical interpretation. An obscure British organist reinvented himself as "Leopold Stokowski." However, most of these gifted émigrés to the New World found that the freedoms they enjoyed in America diluted rather than amplified their high creative ambitions. |
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Fanon
by John Edgar Wideman
Wideman's first novel in a decade conjures the author of The Wretched of the Earth and his urgent relevance today Wideman's fascinating new novel weaves together fiction, biography, and memoir to evoke the life and message of Frantz Fanon, the influential author of The Wretched of the Earth. A philosopher, psychiatrist, and political activist, Fanon was a fierce, acute critic of racism and oppression. Born of African descent in Martinique in 1927, Fanon fought to defend France during World War II and then later against France in Algerias war for independence. The Wretched of the Earth, written in 1961, inspired leaders of liberation movements from Steve Biko in South Africa to Che Guevera to the Black Panthers in the United States. Wideman's novel is disguised as the project of a contemporary African-American novelist, Thomas, who undertakes writing a life of Fanon. The result is an electrifying mix of perspectives, traveling from Manhattan to Paris to Algeria to Pittsburgh. Part whodunit, part screenplay, and part love story, Fanon introduces the French film director Jean-Luc Godard to ailing Mrs. Wideman in Homewood, and chases the meaning of Fanons legacy through our violent, post-9/11 world, which seems determined to perpetuate the evils Fanon sought to rectify. |
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Portraits & Observations
by Truman Capote
Perhaps no twentieth century writer was so observant and elegant a chronicler of his times as Truman Capote. Whether he was profiling the rich and famous or creating indelible word-pictures of events and places near and far, Capote's eye for detail and dazzling style made his reportage and commentary undeniable triumphs of the form. Portraits and Observations is the first volume devoted solely to all the essays ever published by this most beloved of writers. From his travel sketches of Brooklyn, New Orleans, and Hollywood, written when he was twenty-two, to meditations about fame, fortune, and the writer's art at the peak of his career, to the brief works penned during the isolated denouement of his life, these essays provide an essential window into mid-twentieth-century America as offered by one of its canniest observers. Included are such celebrated masterpieces of narrative nonfiction as "The Muses Are Heard" and the short nonfiction novel "Handcarved Coffins," as well as many long-out-of-print essays, including portraits of Isak Dinesen, Mae West, Marcel Duchamp, Humphrey Bogart, and Marilyn Monroe. Among the highlights are "Ghosts in Sunlight: The Filming of In Cold Blood, "Preface to Music for Chameleons, in which Capote candidly recounts the highs and lows of his long career, and a playful self-portrait in the form of an imaginary self-interview. The book concludes with the author's last written words, composed the day before his death in 1984, the recently discovered "Remembering Willa Cather," Capote's touching recollection of his encounter with the author when he was a young man at the dawn of his career. Portraits and Observations puts on display the full spectrum of Truman Capote's brilliance. Certainly, Capote was, as Somerset Maugham famously called him, "a stylist of the first quality." But as the pieces gathered here remind us, he was also an artist of remarkable substance. |
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Reconciliation
by Benazir Bhutto
Benazir Bhutto returned to Pakistan in October 2007, after eight years of exile, hopeful that she could be a catalyst for change. Upon a tumultuous reception, she survived a suicide-bomb attack that killed nearly two hundred of her countrymen. But she continued to forge ahead, with more courage and conviction than ever, since she knew that time was running out—for the future of her nation, and for her life. In Reconciliation, Bhutto recounts in gripping detail her final months in Pakistan and offers a bold new agenda for how to stem the tide of Islamic radicalism and to rediscover the values of tolerance and justice that lie at the heart of her religion. With extremist Islam on the rise throughout the world, the peaceful, pluralistic message of Islam has been exploited and manipulated by fanatics. Bhutto persuasively argues that America and Britain are fueling this turn toward radicalization by supporting groups that serve only short-term interests. She believed that by enabling dictators, the West was actually contributing to the frustration and extremism that lead to terrorism. With her experience governing Pakistan and living and studying in the West, Benazir Bhutto was versed in the complexities of the conflict from both sides. She was a renaissance woman who offered a way out. In this riveting and deeply insightful book, Bhutto explores the complicated history between the Middle East and the West. She traces the roots of international terrorism across the world, including American support for Pakistani general Zia-ul-Haq, who destroyed political parties, eliminated an independent judiciary, marginalized NGOs, suspended the protection of human rights, and aligned Pakistani intelligence agencies with the most radical elements of the Afghan mujahideen. She speaks out not just to the West, but to the Muslims across the globe who are at a crossroads between the past and the future, between education and ignorance, between peace and terrorism, and between dictatorship and democracy. Democracy and Islam are not incompatible, and the clash between Islam and the West is not inevitable. Bhutto presents an image of modern Islam that defies the negative caricatures often seen in the West. After reading this book, it will become even clearer what the world has lost by her assassination. |
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Against the Machine
by Lee Siegel
From the author hailed by the New York Times Book Review for his "drive-by brilliance" and dubbed by the New York Times Magazine as "one of the country's most eloquent and acid-tongued critics" comes a ruthless challenge to the conventional wisdom about the most consequential cultural development of our time: the Internet. Of course the Internet is not one thing or another; if anything, its boosters claim, the Web is everything at once. It's become not only our primary medium for communication and information but also the place we go to shop, to play, to debate, to find love. Lee Siegel argues that our ever-deepening immersion in life online doesn't just reshape the ordinary rhythms of our days; it also reshapes our minds and culture, in ways with which we haven't yet reckoned. The web and its cultural correlatives and by-products—such as the dominance of reality television and the rise of the "bourgeois bohemian"—have turned privacy into performance, play into commerce, and confused "self-expression" with art. And even as technology gurus ply their trade using the language of freedom and democracy, we cede more and more control of our freedom and individuality to the needs of the machine—that confluence of business and technology whose boundaries now stretch to encompass almost all human activity. Siegel's argument isn't a Luddite intervention against the Internet itself but rather a bracing appeal for us to contend with how it is transforming us all. Dazzlingly erudite, full of startlingly original insights, and buoyed by sharp wit, Against the Machine will force you to see our culture—for better and worse—in an entirely new way. |
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