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The Book of Genesis
by R. Crumb
From Creation to the death of Joseph, here are all 50 chapters of the Book of Genesis, revealingly illustrated as never before. Envisioning the first book of the bible like no one before him, R. Crumb, the legendary illustrator, reveals here the story of Genesis in a profoundly honest and deeply moving way. Originally thinking that we would do a take off of Adam and Eve, Crumb became so fascinated by the Bible's language, "a text so great and so strange that it lends itself readily to graphic depictions," that he decided instead to do a literal interpretation using the text word for word in a version primarily assembled from the translations of Robert Alter and the King James bible. Now, readers of every persuasion—Crumb fans, comic book lovers, and believers—can gain astonishing new insights from these harrowing, tragic, and even juicy stories. Crumb's Book of Genesis reintroduces us to the bountiful tree lined garden of Adam and Eve, the massive ark of Noah with beasts of every kind, the cities of Sodom and Gomorrah destroyed by brimstone and fire that rained from the heavens, and the Egypt of the Pharaoh, where Joseph's embalmed body is carried in a coffin, in a scene as elegiac as any in Genesis. Using clues from the text and peeling away the theological and scholarly interpretation that have often obscured the Bible ?s most dramatic stories, Crumb fleshes out a parade of Biblical originals: from the serpent in Eden, the humanoid reptile appearing like an alien out of a science fiction movie, to Jacob, a "kind've depressed guy who doesn't strike you as physically courageous," and his bother, Esau, "a rough and kick ass guy," to Abraham's wife Sarah, more fetching than most woman at 90, to God himself, "a standard Charlton Heston-like figure with long white hair and a flowing beard." As Crumb writes in his introduction, "the stories of these people, the Hebrews, were something more than just stories. They were the foundation, the source, in writing of religious and political power, handed down by God himself." Crumb's Book of Genesis, the culmination of 5 years of painstaking work, is a tapestry of masterly detail and storytelling which celebrates the astonishing diversity of the one of our greatest artistic geniuses. |
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The Humbling
by Philip Roth
Everything is over for Simon Axler, the protagonist of Philip Roth's startling new book. One of the leading American stage actors of his generation, now in his sixties, he has lost his magic, his talent, and his assurance. His Falstaff and Peer Gynt and Vanya, all his great roles, "are melted into air, into thin air." When he goes onstage he feels like a lunatic and looks like an idiot. His confidence in his powers has drained away; he imagines people laughing at him; he can no longer pretend to be someone else. "Something fundamental has vanished." His wife has gone, his audience has left him, his agent can't persuade him to make a comeback. Into this shattering account of inexplicable and terrifying self-evacuation bursts a counterplot of unusual erotic desire, a consolation for a bereft life so risky and aberrant that it points not toward comfort and gratification but to a yet darker and more shocking end. In this long day's journey into night, told with Roth's inimitable urgency, bravura, and gravity, all the ways that we convince ourselves of our solidity, all our life's performances—talent, love, sex, hope, energy, reputation—are stripped off. |
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Psycho Too
by Will Self
Will Self and Ralph Steadman join forces once again in a further post-millennial meditation on the vexed relationship of psyche and place in a globalised world; Psycho Too brings together a second helping of their very best words and pictures from 'Psychogeography', the columns they contributed to the Independent for half a decade. The introduction, 'Journey Through Britain' is a new extended essay by Self, accompanied by Steadman's inimitable images. It tells of how Self journeyed to Dubai, that Gotterdammerung of the contemporary built environment, in order to walk the length of the artificial Britain-shaped island, in the offshore luxury housing development known as 'The World'. Ranging from Istanbul to Los Angeles and from the crumbling coastline of East Yorkshire to the adamantine heads of Easter Island, Will Self's engaging and disturbing vision is once again perfectly counter-pointed by Ralph Steadman's edgy and dazzling artwork. |
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Zeitoun
by Dave Eggers
When Hurricane Katrina struck New Orleans, Abdulrahman Zeitoun, a prosperous Syrian-American and father of four, chose to stay through the storm to protect his house and contracting business. In the days after the storm, he traveled the flooded streets in a secondhand canoe, passing on supplies and helping those he could. A week later, on September 6, 2005, Zeitoun abruptly disappeared. Eggers's riveting nonfiction book, three years in the making, explores Zeitoun's roots in Syria, his marriage to Kathy—an American who converted to Islam—and their children, and the surreal atmosphere (in New Orleans and the United States generally) in which what happened to Abdulrahman Zeitoun was possible. Like What Is the What, Zeitoun was written in close collaboration with its subjects and involved vast research—in this case, in the United States, Spain, and Syria. |
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Chronic City
by Jonathan Letham
The acclaimed author of Motherless Brooklyn and The Fortress of Solitude returns with a roar with this gorgeous, searing portrayal of Manhattanites wrapped in their own delusions, desires, and lies. Chase Insteadman, a handsome, inoffensive fixture on Manhattan's social scene, lives off residuals earned as a child star on a beloved sitcom called Martyr & Pesty. Chase owes his current social cachet to an ongoing tragedy much covered in the tabloids: His teenage sweetheart and fiancée, Janice Trumbull, is trapped by a layer of low-orbit mines on the International Space Station, from which she sends him rapturous and heartbreaking love letters. Like Janice, Chase is adrift, she in Earth's stratosphere, he in a vague routine punctuated by Upper East Side dinner parties. Into Chase's cloistered city enters Perkus Tooth, a wall-eyed free-range pop critic whose soaring conspiratorial riffs are fueled by high-grade marijuana, mammoth cheeseburgers, and a desperate ache for meaning. Perkus's countercultural savvy and voracious paranoia draw Chase into another Manhattan, where questions of what is real, what is fake, and who is complicit take on a life-shattering urgency. Along with Oona Laszlo, a self-loathing ghostwriter, and Richard Abneg, a hero of the Tompkins Square Park riot now working as a fixer for the billionaire mayor, Chase and Perkus attempt to unearth the answers to several mysteries that seem to offer that rarest of artifacts on an island where everything can be bought: Truth. Like Manhattan itself, Jonathan Lethem's masterpiece is beautiful and tawdry, tragic and forgiving, devastating and antic, a stand-in for the whole world and a place utterly unique. |
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The Museum of Innocence
by Orhan Pamuk
"It was the happiest moment of my life, though I didn't know it." So begins the new novel, his first since winning the Nobel Prize, from the universally acclaimed author of Snow and My Name Is Red. It is 1975, a perfect spring in Istanbul. Kemal, scion of one of the city's wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie—a world, as he lovingly describes it, with opulent parties and clubs, society gossip, restaurant rituals, picnics, and mansions on the Bosphorus, infused with the melancholy of decay—until finally he breaks off his engagement to Sibel. But his resolve comes too late.For eight years Kemal will find excuses to visit another Istanbul, that of the impoverished backstreets where Füsun, her heart now hardened, lives with her parents, and where Kemal discovers the consolations of middle-class life at a dinner table in front of the television. His obsessive love will also take him to the demimonde of Istanbul film circles (where he promises to make Füsun a star), a scene of seedy bars, run-down cheap hotels, and small men with big dreams doomed to bitter failure.In his feckless pursuit, Kemal becomes a compulsive collector of objects that chronicle his lovelorn progress and his afflicted heart's reactions: anger and impatience, remorse and humiliation, deluded hopes of recovery, and daydreams that transform Istanbul into a cityscape of signs and specters of his beloved, from whom now he can extract only meaningful glances and stolen kisses in cars, movie houses, and shadowy corners of parks. A last change to realize his dream will come to an awful end before Kemal discovers that all he finally can possess, certainly and eternally, is the museum he has created of his collection, this map of a society's manners and mores, and of one man's broken heart. A stirring exploration of the nature of romantic attachment and of the mysterious allure of collecting, The Museum of Innocence also plumbs the depths of an Istanbul half Western and half traditional—its emergent modernity, its vast cultural history. This is Orhan Pamuk's greatest achievement. |
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Crude World
by Peter Maas
A stunning and revealing examination of oil's indelible impact on the countries that produce it and the people who possess it. Every unhappy oil-producing nation is unhappy in its own way, but all are touched by the "resource curse"—the power of oil to exacerbate existing problems and create new ones. In Crude World, Peter Maas presents a vivid portrait of the troubled world oil has created. He takes us to Saudi Arabia, where officials deflect inquiries about the amount of petroleum remaining in the country's largest reservoir; to Equatorial Guinea, where two tennis courts grace an oil-rich dictator's estate but bandages and aspirin are a hospital's only supplies; and to Venezuela, where Hugo Chávez's campaign to redistribute oil wealth creates new economic and political crises. Maas, a New York Times Magazine writer, also introduces us to Iraqi oilmen trying to rebuild their industry after the invasion of 2003, an American lawyer leading Ecuadorians in an unprecedented lawsuit against Chevron, a Russian oil billionaire imprisoned for his defiance of Vladimir Putin's leadership, and Nigerian villagers whose livelihoods are destroyed by the discovery of oil. Rebels, royalty, middlemen, environmentalists, indigenous activists, CEOs—their stories, deftly and sensitively presented, tell the larger story of oil in our time. Crude World is a startling and essential account of the consequences of our addiction to oil. |
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Green Metropolis
by David Owen
In this remarkable challenge to conventional thinking about the environment, David Owen argues that the greenest community in the United States is not Portland, Oregon, or Snowmass, Colorado, but New York, New York. Most Americans think of crowded cities as ecological nightmares, as wastelands of concrete and garbage and diesel fumes and traffic jams. Yet residents of compact urban centers, Owen shows, individually consume less oil, electricity, and water than other Americans. They live in smaller spaces, discard less trash, and, most important of all, spend far less time in automobiles. Residents of Manhattan- the most densely populated place in North America -rank first in public-transit use and last in percapita greenhouse-gas production, and they consume gasoline at a rate that the country as a whole hasn't matched since the mid-1920s, when the most widely owned car in the United States was the Ford Model T. They are also among the only people in the United States for whom walking is still an important means of daily transportation. These achievements are not accidents. Spreading people thinly across the countryside may make them feel green, but it doesn't reduce the damage they do to the environment. In fact, it increases the damage, while also making the problems they cause harder to see and to address. Owen contends that the environmental problem we face, at the current stage of our assault on the world's nonrenewable resources, is not how to make teeming cities more like the pristine countryside. The problem is how to make other settled places more like Manhattan, whose residents presently come closer than any other Americans to meeting environmental goals that all of us, eventually, will have to come to terms with. |
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Brother West: Living and Loving Outloud
by Cornell West
New York Times—best-selling author Cornel West is one of America's most provocative and admired public intellectuals. Whether in the classroom, the streets, the prisons, or the church, Dr. West's penetrating brilliance has been a bright beacon shining through the darkness for decades. Yet, as he points out in this new memoir, "I've never taken the time to focus on the inner dynamics of the dark precincts of my soul. That is, until now. Brother West is like its author: brilliant, unapologetic, full of passion yet cool. This poignant memoir traces West's transformation from a schoolyard Robin Hood into a progressive cultural icon. From his youthful investigation of the "death shudder" to why he embraced his calling of teaching over preaching, from his three marriages and his two precious children to his near-fatal bout with prostate cancer, West illuminates what it means to live as "an aspiring bluesman in a world of ideas and a jazzman in the life of the mind." Woven together with the fibers of his lifelong commitment to the prophetic Christian tradition that began in Sacramento's Shiloh Baptist Church, Brother West is a tale of a man courageous enough to be fully human, living and loving out loud. |
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Diaghilev: A Life
by Sjeng Scheijen
Diaghilev (1872-1929) is a character on the scale of myth. Growing up in a minor noble family in remote Perm, as a very young man he became an influential art historian and publisher in St Petersburg. Moving soon onto a bigger stage, he became a central figure in the artistic worlds of Paris, London, Rome, Berlin and Madrid during the golden age of modern art. He lived through bankruptcy, war, revolution and exile. Furthermore he lived openly as a homosexual and his liaisons, most famously with Nijinsky, and his turbulent friendships with among others Stravinsky, Coco Chanel, Misia Sert, Prokoviev and Jean Cocteau give his life an exceptionally dramatic quality. The last biography was thirty years ago. Scheijen's biography is based on extensive research in little known archives, especially in Russia, is revelatory and brings a complex and powerful personality with boundless creative energy fully to life. |
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The Clinton Tapes
by Taylor Branch
A groundbreaking book about the modern presidency, The Clinton Tapes invites readers into private dialogue with a gifted, tormented, resilient President of the United States. Here is what President Clinton thought and felt but could not say in public. This book rests upon a secret project, initiated by Clinton, to preserve for future historians an unfiltered record of presidential experience. During his eight years in office, between 1993 and 2001, Clinton answered questions and told stories in the White House, usually late at night. His friend Pulitzer Prize-winning author Taylor Branch recorded seventy-nine of these dialogues to compile a trove of raw information about a presidency as it happened. Clinton drew upon the diary transcripts for his memoir in 2004. Branch recorded his own detailed recollections immediately after each session, covering not only the subjects discussed but also the look and feel of each evening with the president. The text engages Clinton from many angles. Readers hear candid stories, feel buffeting pressures, and weigh vivid descriptions of the White House settings. Branch's firsthand narrative is confessional, unsparing, and personal. The author admits straying at times from his primary role -- to collect raw material for future historians -- because his discussions with Clinton were unpredictable and intense. What should an objective prompter say when the President of the United States seeks advice, argues facts, or lodges complaints against the press? The dynamic relationship that emerges from these interviews is both affectionate and charged, with flashes of anger and humor. President Clinton drives the history, but this story is also about friends. The Clinton Tapes highlights major events of Clinton's two terms, including wars in Bosnia and Kosovo, the failure of health care reform, peace initiatives on three continents, the anti-deficit crusade, and titanic political struggles from Whitewater to American history's second presidential impeachment trial. Along the way, Clinton delivers colorful portraits of countless political figures and world leaders from Nelson Mandela to Pope John Paul II. These unprecedented White House dialogues will become a staple of presidential scholarship. Branch's masterly account opens a new window on a controversial era and Bill Clinton's eventual place among our chief executives. |
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Orwell Diaries
by George Orwell
George Orwell was an inveterate keeper of diaries. Eleven diaries are presented here, and we know there may be two more from his time in Spain hidden away in the NKVD Archives in Moscow. Covering the period 1931-1949, this volume follows Orwell from his early years as a writer up to his last literary notebook. His "Hop-Picking Diary" covers some of Orwell's time spent down and out; a wonderful entry from 1931 tells of a communal shave in the Trafalgar Square fountains. The notes from his travels through industrial England, which formed the basis of "The Road to Wigan Pier", show the development of the gifted young novelist and impassioned social commentator. 'Frightful landscape of slag-heaps and belching chimneys. [...]Beards of ice on lock gates.' This same acute power of observation is evident in his diaries from Morocco, where he also encountered extreme poverty. We catch a glimpse of a different Orwell at home. His domestic diaries chart the progress of his garden and animals with a keen eye, from the succinct, 'Pig active again'. to the more poetic, 'One of the plants that carries the snow most beautifully is lavender.' The wartime diaries make fascinating reading, from descriptions of events overseas, to the daily violence closer to home and his astute perspective on the politics of both. Orwell offers a different take on the typical view of the home front. 'War is simply a reversal of civilised life, its motto is 'Evil be thou my good', and so much of the good of modern life is actually evil that it is questionable whether on balance war does harm'. The diaries provide a new and entirely refreshing insight into Orwell's character and help towards an understanding of his great works. |
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